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UC Center Program
Faculty - Fall 2007
Faculty
William BISHOP
PCC 123. Paris in Literature
Will Bishop received his PhD in French from the University of California, Berkeley in December, 2003. His dissertation addresses questions of translation in texts by Beckett, Genet, Celan and Rimbaud. Several sections of his dissertation will soon be published in the journal diacritics as an article on “The Marriage Translation and the Contexts of Common Life: From the PACS to Benjamin and Beyond”. He has recently been at work on the translation of books by the Moroccan-born writer, Rachid O; a chapter on Rachid O’s writing will be a part of his next project, “The Other Ambassadors: Figures Abroad after Henry James.” He has taught French language and literature classes at the University of California, Berkeley, at the UC center program, and a course on translation at Columbia University's program in Paris at Reid Hall.
Bruno BOSSIS
PCC 126. French Music Appreciation
Born in France, Bruno Bossis, after scientific studies, began as a teacher of digital transmissions in telecommunications. After he took “agrégation” and PhD in musicology (Paris-Sorbonne university), he is currently a lecturer in analysis, electroacoustic and musicology at Rennes University. He is also part-time lecturer and permanent researcher at Paris–Sorbonne University (OMF/MINT lab). Bruno Bossis collaborated or collaborates with UNESCO, CCMIX, GRM and Ircam. He is the author of many papers on electroacoustic music. His book La voix et la machine, la vocalité artificielle dans la musique contemporaine (The voice and the machine, artificial vocality in contemporary music) was published in 2005 (PUR, col. Æsthetica, Rennes).
Marc CERISUELO
PCC 120. French Cinema
Marc Cerisuelo studied and taught Literature, Philosophy and Film. He received his Ph.D in Film Studies at the University of Paris III, and is Associate Professor in Film Studies and Aesthetics in the Literature, Arts and Cinema Department at the University of Paris VII. A specialist of Godard, film criticism, film poetics and of the relations between literature, philosophy and film, he is the author of several books. Among them: Jean-Luc Godard, Lherminier/ Ed. des Quatre-Vents, 1989; Hollywood à l'écran. Poétique des métafilms américains, Presses de la Sorbonne Nouvelle, 2000; Preston Sturges ou le génie de l'Amérique, PUF, 2002; Le Mépris (J.-L. Godard, 1963), Ed. de la Transparence, 2006.
Stéphane DUFOIX
PCC 116. Cultural Identities in France
French Society and Politics
Stéphane Dufoix received his Ph.D. in Political Science at the University of Paris I. As well as being
member of the Institut universitaire de France,
he is Associate Professor in the Sociology Department at Nanterre. A specialist on immigration and asylum, he has taught for UC Paris since 2002. The co-author of several important governmental reports, he has written two books, Politiques d'Exil: Hongrois, Polonais et Tchécoslovaques en France après 1945 (Paris: PUF, 2002); and Les diasporas (Paris: PUF, 2003), and is co-editor (with Patrick Weil) of L'esclavage, la Colonisation et après... (Paris, PUF, 2005). He is currently a research associate at the Centre d'Histoire Sociale du XXème siècle (CNRS-Paris- I).
Mariam HABIBI
PCC 115. France and European Integration
Mariam Habibi received her doctorat from the Institut d’Etudes Politiques de Paris in 2000 with a dissertation on French Diplomacy in early twentieth century Persia, published by L'Harmattan in 2004. She studied at Lancaster and London University, and has held teaching appointments at the American University of Paris, Columbia University at Reid Hall, and New York University in France.
Sarah LINFORD
PCC 125. The Task of the Museum: Modern Art on Display
The Museums of Paris
Sarah Linford has taught modern and contemporary art history and art administration in France and the United States. In her Ph.D. dissertation at Princeton University and the Université Blaise Pascal Clermont-Ferrand II, as at the Museum of Modern Art, the National Gallery of Art and the Smithsonian, she has worked primarily on late nineteenth and early twentieth century painting. She studied at the Ecole Normale Supérieure, Trinity College Dublin, the University of California at Berkeley and holds a post-master's degree from the University of Paris 7. She has won numerous research awards and honors, contributed to scholarly collections of articles on French art and to a journal of contemporary art criticism. She currently teaches art history at the Ecole Normale Superieure (Cachan) and has been part of the UC Paris faculty since 2005.
Nadia MALINOVICH
PCC 127. Women in Twentieth Century France
Nadia Malinovich received her Ph.D. from the University of Michigan (2000) with a dissertation on Jewish identity and culture in early twentieth century France. She has taught Jewish and European history at Lehman College, CUNY; Fordham University; New York University; and Sciences-Po. She has published in and edited collections of Jewish fiction and written on race, “orientalism”, and Jewish identity in France.
Christina von KOEHLER
PCC 111. Histories of Paris
Sylvie CLEMENCE
PCC012 French Conversation & Grammar
Janet SEDLAR
PCC013
French Conversation & Reading
Alisa BELANGER
PCC014
French Conversation & Writing
Véronique DU PARC
PCC015 Reading and Writing French
Lea SCATTOLIN
French Conversation & Reading
Betsy CARTER supporting
Cultural Identities of France
Emily MATTHEWS supporting European Integration
Natalie HANSEN supporting
Paris in Literature
Ronald PARSONS supporting
Histories of Paris
Guilan SIASSI supporting
French Music Appreciation
Kristina VALENDINOVA supporting Women in 20th Century France
Alexa WEIK supporting French Cinema
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